8/17/2023 0 Comments Rca victor vinyl![]() ![]() By the early Eighties, the 45 began dying a slow, humiliating death. The following decade, indie fans who snapped up Hüsker Dü’s “Makes No Sense at All” found their unlikely but fantastic cover of “Love Is All Around,” otherwise known as the Mary Tyler Moore Show theme song, on the flip.Īccording to the New York Times, the peak year for the seven-inch single was 1974, when 200 million were sold. If you flipped over Fleetwood Mac’s “Go Your Own Way” in 1977, you’d come across “Silver Springs,” the Stevie Nicks landmark that was dumped from Rumours. Some singles had picture sleeves or B sides of outtakes. For added head-scratching, each 45 was printed in a different color, from “deep red” to “dark blue.” (Yes, colored vinyl actually existed in the years immediately after World War II.) Not quite the stuff of the pop charts at that moment in history. The one most people will remember is Arthur “Big Boy” Crudup’s jumping-bean boogie “That’s All Right,” which became Elvis Presley’s breakout moment in the next decade, but the list also included a Yiddish song, “A Klein Melamedl (The Little Teacher),” sung by a cantor. Then consider those initial seven RCA releases, which, according to the label’s archives, ranged from classical to kids’ music to country. “They’ll come in, ask for a recording, and then ask me whether or not it can be played on the particular phonogram they have at home.” More often than not, he said, potential buyers left without forking over any cash. “My customers don’t know what to buy anymore,” a record store owner groused to the trade magazine Cashbox that month. The size of 45s alone, combined with the fact that different gear was suddenly required to play them, was enough to perplex the pre-rock music business. ![]() On March 15th, 1949, RCA Victor became the first label to roll out records that were smaller (seven inches in diameter) and held less music (only a few minutes a side) than the in-vogue 78s. In 1950, RCA Victor began issuing vinyl LPs (originally introduced by Columbia Records in 1948), because they were losing artists and sales due to the company's resistance to adopting the new format.When it arrived 70 years ago today, the 45 rpm single, a format that would revolutionize pop music, seemed less radical than simply confusing. The first Red Seal discs recorded by Victor in the United States were of the Australian contralto Ada Crossley on April 30, 1903. Five of Caruso's Milan records were issued by Victor on the Red Seal label in the United States in March, 1903 and soon other famous opera stars and classical instrumentalists were attracted to the studios of both Victor and the Gramophone Company, consolidating the positions of these firms as the market leaders in the field of serious music by famous artists. ![]() Caruso's first records, made by the Gramophone Company in Milan, Italy in 1902, earned prestige as well as profits for the company and its affiliates. Led by the great Italian tenor Enrico Caruso, then just at the beginning of his worldwide fame, Victor Red Seal records changed the public's valuation of recorded music. Later in 1902 the practice was adopted by the home office in the United Kingdom, which preferred to refer to the records as "Red Labels", and by its United States affiliate, the Victor Talking Machine Company, in 1903. The first "Gramophone Record Red Seal" discs were issued in 1901. ![]()
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